public site specific installations
This project has been conceived as a tribute to a community that came to Barcelona in 1923, during the years of economic and urban growth, to work on the construction boom that was generated as a result of the Universal Exhibition of 1929. A community , that almost 100 years later, is in the final phase of its eviction and awaiting the imminent demolition of their homes.
In his artistic intervention Netai Halup uses and recreates objects found in some of the walled houses of the Passatge de Piera. His structures are tense, fragile and work with balance, sensations that are relevant to this last stage in the life of the passage and what remains of the Colònia Castells.
In his first installation, the artist interacts with the inner courtyard of the evicted house of Passatge de Piera number 1. The visitors can only see the installation by peeling through holes in the wall. A performative act highlighting that we are peeping into the lives and current situation of these neighbours from the outside.
In his second intervention the artist works with the concept of temporal and spatial connection. In this case, his installation connects the recently vacated houses of Mari and Encarna with the void left behind after the house that was just behind was demolished.
Halup uses cement, the same material used to wall the houses, to extend the life of found objects, encapsulating and preserving what has been discarded and left in the intense moments during the transition from a known life to a new one.
This is not a colum
Burnt wood, cement, and metal
She wasn't there, so do he
Cement, found branches, and a rope
2 pieces of 107x11x21cm
Cement, lemon tree leafs and branches, rope, the house's ladder chair of the local bar-cafeteria 'Byrris'